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Indogo Reviews and Videos
"An interesting site.Read of what indogo have been up to,about album releases and have a listen to their cheeky smooth grooves."...cheers people.

Really good spiritual music lots of
conviction. Iloved every note and lyric."Izmapaz" i'm not quite sure how to describe the buzz i got, had to listen to it a few times to let it sink in it blew me away completely

~ Tim

"I find it hard to ignore how I felt so beautiful today,
All happy and oh so loving
Makes me feel like I'm floating Away
Away above the houses and the trees
Away away across the wide blue sea . . . "

Thank you Thank you... I've been jamming all day today... You really are very inspirational... can't wait to see you in concert some day

"Indogo is Amanda Taylor, and one of the first things we learned about her was that she once appeared on 'Stars In Their Eyes'. Amid raised eyebrows, the temptation to recite 'tonight Matthew, I'm going to be ignoring your demo' was too great to resist. Wiser heads prevailed though, aided by the fact that Taylor's TV turn was in the guise of Hazel O'Connor, whose 'Breaking Glass' soundtrack is an object of some reverence round these parts. Though we didn't see the performance, it's easy to imagine her pulling it off, and well; her voice is liquid, slippery, impossible to pin down. One minute recalling Patti Smith, the next Alanis Morissette, in between she skips over the flavours of virtually every major female vocalist of the last fifty years - and that includes the jazz crowd. It's the way she uses that voice, more as an instrument than as a tool for delivering words. There's precious little real instrumentation to get in the way either, a few lacework beats, a skeletal melody recorded across a field, that's about it; it throws the focus squarely onto Taylor herself,and though I'm sure that she was singing about great, portentous subjects, I didn't hear a word - I was too busy swooning"

Just listen and see for yourself, listen to the music and then
replay it and listen to the words, then replay it and listen to how it
all gels together to take you on your own private journey. A private
journey to make your memories with

Indogo - Natural Therapy Centre
I've never thought of myself as snobbish, but when the press release says that the artist, in this case Amanda Taylor, has appeared on Stars In Their Eyes (as Hazel O'Connor as it goes), you wonder what karaoke horrors will await you on the CD. What was that about books and covers? This is about as far removed as it could be while still remaining accessible. There's a hint of singer-songwriter-isms, but these are camouflaged by beats that threaten populism but retain a mystery, as a cloak for one hesitant to reveal themselves. The opening track 'Prends Moi' captures the suffocating industry of Scott Walker's 'Tilt', before morphing into an increasingly expressive,twisted African-like rhythm. The voice is fantastic, like a hinged Bjork or Diamanda Galas on Listerine. As it goes on, it opens up a bit, but remains a fascinating listen. Skif

While we're never short of fab music from bands we've never heard of, it's very rare to come across something as disconcerting and exciting as the last two tracks on this album. The stuff preceding is fine, but 'Middle Of The Night' is sleekly taut, electro-torch song, all jagged, but strangely fat electrics, a powerful n sensuous woman on vox and a thoroughly unsettling toddler on helium burbling a backing on the choruses, black magic Ultraxov sh***ing in Church, very cool. Cooler yet is the f***ed up funk of 'Mr Finn' and a baby's laugh synth sampled and it's babble twisted into tones over a choppy funk guitar is majorly fab.

Indogo 'Prend Moi' (Self Released). You won't be to surprised when I say that this is another release rescued from the obscurity of the CD mountain. Now when we say that this is an exceptional release we are perhaps underplaying how good it really is. Indogo is essentially Amanda Taylor whose recent claim to fame was appearing on the UK TV show 'Stars in their Eyes' performing as Hazel O'Connor but don't let that cloud your judgement. Nearest comparisons would suggest Bjork, not in terms of sound but spiritual essence mainly for the fact that there's an unerring fluidity to the three compositions on show, that element of anything can and will happen as she manoeuvres ghost like amid the late night fusion of sophisticated down tempo chills / trip hop dynamics and elegant smoked filled jazz hall entertainment. Bearing a common association with the 90's Bristol scene (Massive Attack / Portishead) Taylor's use of vocal scales is extraordinary, wrapping themselves delicately yet masterfully around the disjointed rhythms under foot almost reminiscent of the middle ground between Eartha Kitt, Peggy Lee and Sinead O'Connor, in fact the opening track 'Prend Moi' could easily be a modern day appreciation of the classic 'Fever' sharing the same traits of being all at once darkly primal and teasingly sensual. Best cut of the set the ethereal and decidedly sparse sounding 'Not So' which cleverly dips amongst the icy wide-screen folds found Goldfrapp's 'Felt Mountain' while managing to impart an coolly lounge like veneer throughout. Quite splendid if you ask me............